Much has been documented about the great traumas that attend migration towards the West in search of the sometimes-mythic ‘better life’. With great pathos, Geology of Separation explores another route, constructing a narrative thread by tracing the mundane quotidian experience of Abderhaman, a migrant who fled violence in Libya and is awaiting permission to remain in Italy. 　　This period of limbo is plagued with tiresome, demoralising indignities that arise from casual racism raining down from various figures of authority. For much of the film the camera gazes lengthily, languorously, peacefully at landscapes, skyscapes and topographies; snow-covered mountainsides, cow-dotted pastures, cascades and pastoral lanes are all captured in striking black and white. Yet this is no holiday brochure, for the stark beauty of the images is pierced by unsettling questions that have perhaps drained them of colour: What does it mean to exist in a place where one is neither welcome nor unwelcome? How is it that such a decision rests on arbitrary boundaries, arbitrary histories, and policies that value paperwork over dignity? 　　In one quietly compelling sequence, Abderhaman is asked what he is studying in the classes he attends. “Only Italian,” he responds. It is a moment that underscores both his ability to function within its society, but also his ambivalence as to whether it wishes him to advance, prosper or, indeed, remain. 　　源自：https://iffr.com/en/iffr/2023/films/geology-of-separation

Much has been documented about the great traumas that attend migration towards the West in search of the sometimes-mythic ‘better life’. With great pathos, Geology of Separation explores another route, constructing a narrative thread by tracing the mundane quotidian experience of Abderhaman, a migrant who fled violence in Libya and is awaiting permission to remain in Italy. 　　This period of limbo is plagued with tiresome, demoralising indignities that arise from casual racism raining down from various figures of authority. For much of the film the camera gazes lengthily, languorously, peacefully at landscapes, skyscapes and topographies; snow-covered mountainsides, cow-dotted pastures, cascades and pastoral lanes are all captured in striking black and white. Yet this is no holiday brochure, for the stark beauty of the images is pierced by unsettling questions that have perhaps drained them of colour: What does it mean to exist in a place where one is neither welcome nor unwelcome? How is it that such a decision rests on arbitrary boundaries, arbitrary histories, and policies that value paperwork over dignity? 　　In one quietly compelling sequence, Abderhaman is asked what he is studying in the classes he attends. “Only Italian,” he responds. It is a moment that underscores both his ability to function within its society, but also his ambivalence as to whether it wishes him to advance, prosper or, indeed, remain. 　　源自：https://iffr.com/en/iffr/2023/films/geology-of-separation

尽管新闻报道很少，但针对女性的性骚扰和性别不平等在科学界的普遍程度不亚于在流行文化和美国企业界。

Despite the minimal news coverage, sexual harassment and gender inequality against women are no less prevalent in science than they are in pop culture and corporate America.

尽管新闻报道很少，但针对女性的性骚扰和性别不平等在科学界的普遍程度不亚于在流行文化和美国企业界。

暂无剧情简介

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。

洛杉矶的一个家庭在历史上最大的灾难的汇合中分开了：一个超级火山、一次特大地震和一次大规模龙卷风。当世界经受住这场几乎世界末日的事件时，我们的英雄们必须坚持自己的技能和智慧来团结和生存下去。

In The Clue of the Savant’s Thumb, Creek and fellow investigator Joey Ross (Sheridan Smith – Accused, Gavin & Stacey) are drawn into a complex case involving a secret society, seemingly supernatural events at a girls’ boarding school, and the miraculous disappearance of a body in front of three witnesses. 　　Alan Davies says: “The new story has more than the usual amount of twists and surprises, and I'm very much looking forward to sleuthing again. I can't wait to join Sheridan Smith on set again; we're very lucky to have her. It's nearly 17 years since I first auditioned for the part; the duffle coat is always on standby, even if the periods of duffle-hibernation are quite long these days”.